![The message is in German. The figure in the boat is coming out of a tunnel, has wings and is wearing a toga. There is a lush tree in the foreground and the background has a rounded structure with pillars across the lake.](https://library.wustl.edu/wp-content/uploads/2021/03/RareBooks_Biedermeier_NewYearsBoat_Header-2500x740-1.jpg)
Biedermeier Greeting Cards
The new Newman Tower of Exploration and Collections has provided the Julian Edison Department of Special Collections with a unique chance to share some of our most treasured collections with the public. With this exhibition, we highlight a beautiful collection of Biedermeier greeting cards exchanged between German family members in the early 19th century.
Intricate Greeting Cards with Moving Parts
In the late 18th and early 19th centuries in Germany and Austria, it was popular to send greeting cards on holidays and to express thanks and feelings of friendship. The cards in this exhibition come from the Biedermeier period and provide wonderful examples of paper engineering. Pull the tabs on one and carriage windows open to reveal the people inside. Another, a thank-you card, has a girl in a traditional costume who curtsies.
The Biedermeier period in Europe spanned from the end of the Napoleonic wars in 1815 and ended with the European revolutions of 1848. This period was characterized by relative peace and a growing middle class interested in the arts and private (rather than political) activities, such as playing instruments, reading, and, of course, letter-writing. The name Biedermeier comes from a popular caricature of middle-class comfort known as “Papa Biedermeier” and was originally meant to be derogatory. Today, we view Biedermeier art as a critical transitional period between Classicism and Romanticism.
The cards in WashU Libraries’ Biedermeier Collection were originally exchanged within an extended family in the state of Saxony-Anhalt in central Germany. They are engraved and hand-colored, and many contain handwritten messages. The cards are a charming expression of the culture of sentiment among the bourgeoisie, and we can trace the family’s social ties through the messages.
![The message is in German. The figure in the boat is coming out of a tunnel, has wings and is wearing a toga. There is a lush tree in the foreground and the background has a rounded structure with pillars across the lake.](https://library.wustl.edu/wp-content/uploads/2021/03/RareBooks_Biedermeier_NewYearsBoat-500x363-1.jpg)
![The couple in question both wear heavily draped clothing, the man with a cape and the woman with a veil cascading down her back from the top of her head. The woman sits in a chaise grasping the man's hand as he stands looking away from her, blocking her gaze with his other hand. The flap at the bottom over a message features four cherubs dressed in ivy surrounding a female bust.](https://library.wustl.edu/wp-content/uploads/2021/03/RareBooks_Biedermeier_ClassicalCouple-838x1024.jpeg)
![The girl on the card has her hair in an intricate updo and is holding a bouquet of flowers in the apron over her dress.](https://library.wustl.edu/wp-content/uploads/2021/03/RareBooks_Biedermeier_IchGratulireGirl-626x1024.jpeg)
![The carriage is a richly decorated one with intricately detailed wheels pulled by two white horses. The windows in this photo are closed.](https://library.wustl.edu/wp-content/uploads/2021/03/RareBooks_Biedermeier_Carriage-2-1024x956.jpeg)
![A curly haired child with a vest over a long, puffed-sleeved shirt wearing a knotted handkerchief around his neck with britches and fancier shotes totes a puppet theater box about on a single-wheeled wheelbarrow.](https://library.wustl.edu/wp-content/uploads/2021/03/RareBooks_Biedermeier_Wheelbarrow-1013x1024.jpeg)