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<filedesc>
<titlestmt>
<titleproper>Finding-aid for the Elizabeth Jennings Papers (WTU00061)</titleproper>
<sponsor>The Gladys Krieble Delmas Foundation</sponsor>
</titlestmt>
<publicationstmt>
<date>2003</date>
<publisher>University Libraries, Washington University in St. Louis</publisher>
<address>
<addressline>Department of Special Collections</addressline>
<addressline>Olin Library</addressline>
<addressline>Campus Box 1061</addressline>
<addressline>1 Brookings Drive</addressline>
<addressline>St. Louis, MO 63130</addressline>
<addressline>(314) 935-5495</addressline>
<addressline>Fax: (314) 935-4045</addressline>
<addressline id="email">spec@library.wustl.edu</addressline>
<addressline id="weblink">http://library.wustl.edu/units/spec</addressline>
</address>
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<date normal="20040707">2004: July 7</date>
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<archdesc level="collection">
<did>
<head>Descriptive Summary</head>
<unittitle label="Title">Elizabeth Jennings Papers</unittitle>
<unitid label="ID">WTU00061</unitid>
<repository label="Repository">Washington University in St. Louis <subarea>University
Libraries, Dept. of Special Collections</subarea> <address>
<addressline>St. Louis, MO 63130-4899</addressline>
</address></repository>
</did>
<bioghist>
<p>Elizabeth Jennings was born in Boston, Lincolnshire in 1926, the daughter
of a doctor. Her education was received in private and public schools in England,
including an Honours Degree in English from St. Anne's College, Oxford. She
began writing poetry in adolescence; her first major publication was in The
Spectator, 1949, with the poem, The clock. After graduation Miss Jennings
worked for a time in the Oxford City Library and later in the office of a
London publisher, Chatto and Windus. In 1953 she published her first book
of poems, Poems (Fantasy Press), which received an Arts Council Prize as the
best book of original English verse to be published between January 1951 and
June 1953. Her poems also appeared in such periodicals as The New Statesman,
The Spectator, Times Literary Supplement, The Listener, Encounter, The London
Magazine, Botteghe Oscure, and the New Yorker.</p>
<p>In 1956 she received the Somerset Maugham Award for her second book of
poems, A Way of looking (Deutsch) and the used the prize for an extended trip
to Italy in 1957. Other prizes for her poetry include: the Poetry Book Society
Summer Choice in 1961 for Song for a birth or a death (Dufour), an Arts Council
Poetry Bursary in 1965, and the Richard Hillary Award in 1966 for The mind
has mountains (MacMillan)</p>
<p>Miss Jennings suffered intermittent mental breakdowns from 1964-1968, and
was hospitalized in Warneford Hospital at Oxford; this experience is documented
in this collection by her correspondence with Rugena Stanley and in several
personal notebooks. Subsequently the experience became the subject of much
of her poetry. Anne Ridler has said of Miss Jennings: “The unwavering search
for truth about an emotion or a state of mind, the refusal to be satisfied
with first appearances, is always her strength.” (Guardian) Anthony Thwaite
has attributed to her work “The excitement, the visionary quality, of arduous
search and sudden discover,” adding, “For my mind she is one of the two best
living English poets under forty-five.” (Spectator)</p>
<p>A partial bibliograph includes:</p>
<p>Poetry: Poems, Fantasy Press, 1953</p>
<p>A way of looking, Deutsch and Rinehart, 1955</p>
<p>A sense of the world, Deutsch, 1958</p>
<p>Song for a birth or a death, Deutsch, 1961</p>
<p>Recoveries, Deutsch, 1964</p>
<p>The mind has mountains, MacMillan, 1966</p>
<p>The secret brother (children's poems) 1966</p>
<p>Collected poems, 1967, Macmillan 1967</p>
<p>Translation: The Sonnets of Michelangelo, Folio Society, 1961</p>
<p>Editor: An Anthology of Modern Verse, 1940-1960, Methuen, 1961</p>
<p>Prose: Making human relations work (with Francis Jennings) Boston 1951</p>
<p>Let's have some poetry, Museum Press Ltd., 1960</p>
<p>Every changing shape, Deutsch, 1961</p>
<p>Frost, Oliver and Boyd, 1964</p>
<p>Christianity and poetry, Burns and Oates, 1965.</p>
</bioghist>
<scopecontent>
<head>Scope and Contents Note</head>
<p>Accs: 814, 815, 819, 832, 862, 1061, 1303, 1314</p>
<p>Correspondence, manuscripts, notebooks, and literary papers, 1954-</p>
<p>Correspondence, 1956-1968, bulking 1964-1968, including 100 postal and
note cards from Elizabeth Jennings to Rugena Stanley, Oxford, during periods
of mental stress, written from Spain and hospitals in England, and letters
from Richard Church, Robert Conquest, Helen Lehmann, William Somerset Maugham,
William Stanley Merwin, Edwin Muir, Victoria Mary Sckville-West, Edith Sitwell,
Constantine Trypanis, John Wain, and Ciceley Veronica Wedgwood, discussing
Miss Jennings' acceptance of the Somerset Maugham Award, 1956, her poetry,
and invitations to dinners and club meetings, Several unsigned drafts of Jennings
letters follow, including one in defense of Colin Wilson's Religion and the
Rebel, one to the New Statesman concerning religious braodcasts on B.B.C.,
and one concerning a review of Let's have some poetry, 114 items. Poems, arranged
alphabetically by title, are largely unpublished, with some appearing in Song
for a birth or a death, Recoveries, The mind has mountains, and the New Poems
section of Collected Poems, 1967, ca. 290 items. Essays, arranged alphabetically
by title, discuss David Jones, Marianne Moore, Emily Dickinson, Ezra Pound,
poetry in the 1960's, Miss Jennings' experience in Rome, her mental illness,
writing poetry, personal experiences; also included are Reflections or notes
for ajournal, notes for an essay and a script for the B.B.C, 9 items. Reviews,
arranged alphabetically by author of the work reviewed, concern books by Thomas
Gilby, Louis McNeice, O.A. Sherrard, R.S.Thomas, Catherine York, and the Penguin
Book of Mystical Verse, 6 items. Notebooks, described in detail elsewhere
in this register, are separated into four categories and arranged chronologically:
1, Personal notebooks, 1957-1965, 8 items; 2, Notebooks containing largely
mss. of poetry, 1954-ca.1964, 6 items; 3, Notebooks containing essays and
reviews, 1960-1966, 14 items; 4, notebooks containing mss. of books, 1958-ca.1965,
10 items. Miscellany contains a newspaper clipping and unidentified note sheets
and a photograph, 4 items.</p>
<p>A.Ls.S., T.Ls.S., Mss., notebooks, miscellany, 461 items</p>
<p>Correspondence in this collection originates from Kent, London, Oxford
and Reading, England; Cambridge, Mass; Florence Italy; Barcelona, Spain; St.
Jean-Cap Ferrat, France.</p>
</scopecontent>
<descgrp>
<processinfo>
<head>Processing begun</head>
<p>March 1, 1967 Add July 3, 1969; June, 1975</p>
<p>Accs: 814, 815, 819, 832, 862, 1061, 1303, 1314</p>
</processinfo>
<acqinfo>
<head>Sources</head>
<p>Purchase, 1967, 1969</p>
</acqinfo>
<userestrict>
<head>Literary rights and terms</head>
<p>Open</p>
</userestrict>
</descgrp>
<dsc type="in-depth">
<head>Container List</head>
<c01>
<did>
<container type="box-folder">1/-</container>
<unittitle>Correspondence, <unitdate>1956-1965</unitdate></unittitle>
</did>
</c01>
<c01>
<did>
<container type="box-folder">1/-</container>
<unittitle>Poems, A-B</unittitle>
</did>
</c01>
<c01>
<did>
<container type="box-folder">2/-</container>
<unittitle>Poems, C-D</unittitle>
</did>
</c01>
<c01>
<did>
<container type="box-folder">3/-</container>
<unittitle>Poems, E-I</unittitle>
</did>
</c01>
<c01>
<did>
<container type="box-folder">4/-</container>
<unittitle>Poems, J-N</unittitle>
</did>
</c01>
<c01>
<did>
<container type="box-folder">5/-</container>
<unittitle>Poems, O-S</unittitle>
</did>
</c01>
<c01>
<did>
<container type="box-folder">6/-</container>
<unittitle>Poems, T-Z</unittitle>
</did>
</c01>
<c01>
<did>
<container type="box-folder">7/-</container>
<unittitle>Essays and Reviews</unittitle>
</did>
</c01>
<c01>
<did>
<container type="box-folder">8/-</container>
<unittitle>Personal Notebooks, <unitdate>1957-1965</unitdate></unittitle>
</did>
<scopecontent>
<p>Descriptive list of notebooks:</p>
</scopecontent>
<c02>
<did>
<container type="box-folder">8/-</container>
<unittitle><emph render="italic">Notebook A - “</emph>Rome-Assisi-Florence-Rome
April-June 1957” in black ink on title page in Jennings' hand, with signature.
“Check with bank whether large B.B.C. cheque has passed through” in black
ink (struck through) on bottom of title page. Contents: Chiefly devoted to
prose “Pensées” (dated “Rome, June 1957”) and numbered 1-67 but also containing
some drafts of poems with light revision, and notes concerning A Sense of
the World [collection of poems], Roman Easter [poem], and Every Changing Shape
[study]. Limp black covers, 5 3/16 × 8 1/16″ , loose sheets, in 3 inks and
pencil.</unittitle>
<physdesc>68pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">8/-</container>
<unittitle><emph render="italic">Notebook B - “</emph>Journal - 1957-1958”
in pencil on title page. Contents: “Pensées (Continued)” numbered 68-127 and
drafts of poems with light revision. Brown cardboard covers, 6 15/16 × 9″
, loose sheet, in 3 inks and pencil.</unittitle>
<physdesc>64pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">8/-</container>
<unittitle><emph render="italic">Notebook C - “</emph>12 April 1958” on title
page with signature, followed by “Indiretto Pensione Wacker, Via XX Settembre
4 Roma: Antologia de poesia Inglese” in black ink. Contents: names of poets
and poems selected for a projected anthology of English poetry, including
loose printed sheets of poems; notes on Augustine and T.S. Eliot; questions
for an interview with Princess Caetani of Botteghe Oscure; notes on a “novel
about the literary world;” report of a poetry reading; personal notes titled
“Reflections 17/4/58” numbered 1-52, and notes on “Every Changing Shape” [study].
Limp black covers, 5 3/4 × 8″ , loose sheets, 4 inks, pencil, and torn out
printed sheets.</unittitle>
<physdesc>131pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">8/-</container>
<unittitle><emph render="italic">Notebook D - </emph>Signature in black ink,
followed by “May-June 1965” in blue ink on front cover. Contents: This notebook
was kept by the author while in a mental hospital (Warneford Hospital, Oxford)
recovering from toxic poisoning caused by her allergy to a drug. The experience
was the background for many of the poems written in the hospital, some of
which were published in The Mind has Mountains <unitdate>(1966). </unitdate>These
lightly revised poems and notes for poems document her creative processes
during her mental illness. Entries which begin on May 19, 1965 and end on
June 28, 1965 include: “What I can remember from English verse 19/V/65,” “My
dreams during the first 3 weeks of May 1965,” “Dream-fantasy sequences during
the first 3 weeks of May 1965,” and “Prayer for a sick poet.” Poem titles
include Two lost weeks, Whitsun in a mental hospital, Worst ward of a mental
hospital, The source, The broken minds, A surprise in a mental hospital, A
state of partial amnesia due to toxic poisoning, Acid reflection in a mental
hospital, Psychiatric limericks, Locked ward, Mild ward of a mental hospital
on a Saturday afternoon, Sonnet about Warneford sicknesses, A mood of near
despair (in hospital), and Amnesia and aftermath. Limp salmon cover, 7 × 9″
, loose sheets, in 3 inks and pencil.</unittitle>
<physdesc>51pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">8/-</container>
<unittitle><emph render="italic">Notebook E - </emph>Signed on cover with
“Prose fragments and reflections about my feelings and experiences at this
time and in this place - Warneford Hospital 28 June 1965” on first page in
blue ink. Contents: personal notes and lightly revised poems written in Warneford
Hospital and dated from June 28 to July 10, 1965. Poem titles include Convalescence
(from brief amnesia), To Rome, A dream of birth, Love in sickness, and An
assortment of illnesses <unitdate>1965. </unitdate>Limp buff cover, 7 × 9″
, 2 inks.</unittitle>
<physdesc>15pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">8/-</container>
<unittitle><emph render="italic">Notebook F - “</emph>A Pretext for Protest
(A Sick Pregnant Woman) (Warneford Hospital 1965)” on first page in blue ink.
Poems <unitdate>dated July 26, 1965-July 29, 1965. </unitdate>Contents: Drafts
of six lightly revised poems written at Warneford Hospital. Three of the poems
are dated and initialed by the author. Letterpad with grey and red cover,
5 3/8 × 7 1/8″ , 1 ink</unittitle>
<physdesc>7pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">8/-</container>
<unittitle><emph render="italic">Notebook G - </emph>Signed on cover in black
ink with “Part of Dedication to the Mind Has Mountains” in black ink on back
of cover, <unitdate>dated August 29, 1965. </unitdate>Contents: Lightly revised
poems and limericks, the majority initialed, and dated from Aug. 29-Sept.
3, 1965, many concerning her stay at Warneford Hospital. Personal notes, including
ones under headings: “To tell Dr. S,” “To remember,” “Authors and books read,”
“Books I want,” “To ask Dr. Spencer,” “Shopping list,” “People to inform of
change of address,” and “To ask or tell someone.” Many of the notes concern
her mental problems during this period. “Sixpenny” notepad with red cover,
4 × 5 7/8″ , 1 ink</unittitle>
<physdesc>37pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">8/-</container>
<unittitle><emph render="italic">Notebook H - “</emph>Days and Nights of Children
- verses, by E. Jennings” on cover in black ink and revised in blue ink. On
verso of cover “For William and Hanto Wain” in blue ink. Contents: Lightly
revised drafts of eight poems for children, the last three poems <unitdate>dated
Aug. 24-Sept. 6, 1965, </unitdate>and initialed. This sequence is believed
to be unpublished. Notepad with limp cover with “The Ancient Seal of Dorchester
Abbey” on front, 4 1/8 × 5 1/2″ , 3 inks.</unittitle>
<physdesc>16pp.</physdesc>
</did>
</c02>
</c01>
<c01>
<did>
<container type="box-folder">9/-</container>
<unittitle>Notebooks containing largely poems, <unitdate>1954-1964</unitdate></unittitle>
</did>
<c02>
<did>
<container type="box-folder">9/-</container>
<unittitle><emph render="italic">Notebook A - </emph>Signature with “Poems
about Venice etc.” in blue ink on cover. Verso of cover, signature with “Venice,
1954” in pencil. Contents: Ca. 35 lightly revised poems in pencil, the majority
concerning Venice or Italy. A number of drafts of poems have been crossed
out. One autograph review in pencil, of The emigrants, by George Lamming.
Limp blue covers (in red slip case), 8 × 12″ , loose sheets, in 1 ink and
pencil.</unittitle>
<physdesc>90pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">9/-</container>
<unittitle><emph render="italic">Notebook B - </emph>Signature with “Oxford
- August 1957” on cover in blue ink. Contents: Ca. 43 lightly revised drafts
of poems, one published in Song for a Birth or a Death, some concerning her
trip to Italy; several prose poems, including a “Benediction” and two “Invocations;”
and a review of The history of Fanny Burney, by Joyce Hemlow. Limp blue covers,
8 × 13″ , 3 inks and pencil.</unittitle>
<physdesc>91pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">9/-</container>
<unittitle><emph render="italic">Notebook C - </emph><unitdate>[ca. 1956-1957] </unitdate>Contents:
Ca. 93 drafts of lightly and moderately revised poems, mostly in pencil; several
short autobiographical reminiscences, including At the C[heltenham] F[estival],
The play, The treasure hunt, as well as a longer autobiographical piece entitled
Every Changing Shape, apparently unrelated to her book of that name; an essay
concerning the writing of poetry; a review of two collections of short stories;
and a draft of a letter to the London Magazine concerning Colin Wilson and
two letters to Elizabeth Jennings <unitdate>(Jan. 8 and 11, 1957) </unitdate>with
poems on verso. Red board covers, 8 × 12 3/4″ , loose sheets, in 2 inks and
pencil.</unittitle>
<physdesc>209pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">9/-</container>
<unittitle><emph render="italic">Notebook D - </emph>Signed on cover in black
ink, contains one poem <unitdate>dated Jan. 4, 1958. </unitdate>Contents:
Ca. 53 drafts of lightly revised poems, most concerning her trip to Rome;
assorted prose, including a draft of part of Every Changing Shape <unitdate>(1961), </unitdate>an
essay on her father, an essay on travelling in Rome, and reviews of works
by Henry Vaughan and Joyce Cary. Limp blue covers, 8 × 13″ , in 2 inks and
pencil.</unittitle>
<physdesc>93pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">9/-</container>
<unittitle><emph render="italic">Notebook E - </emph><unitdate>[ca. 1964] </unitdate>Contents:
14 pencil drafts of poems, some appearing under Sequence in Hospital I-VIII
in Recoveries <unitdate>(1964); </unitdate>a shopping list; a 1 page synopsis
for a projected autobiography; and a draft contents list for a selection of
poems to be published by Penguin Books. Brown limp cover, 8 × 6 1/2″ , loose
sheets, in 1 ink and pencil.</unittitle>
<physdesc>22pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">9/-</container>
<unittitle><emph render="italic">Notebook F - </emph>Signature with “Rome-Assisi-Florence-Paris-Oxford,
April - August 1957” in black ink on cover. Ca.38 poems with light revision
concerning primarily Rome, Assisi and England. Unfinished drafts of essays
discussing her beginning as a poet in preadolescense and her early experience
with the Church. Included is a “theme for voices” titled “Roman Easter.” Some
sheets torn out. Limp blue covers, 8 × 12 7/8″ , in pencil and ink</unittitle>
<physdesc>66pp.</physdesc>
</did>
</c02>
</c01>
<c01>
<did>
<container type="box-folder">10/-</container>
<unittitle>Notebooks containing largely mss. of essays and reviews, <unitdate>1960-1966.</unitdate></unittitle>
</did>
<c02>
<did>
<container type="box-folder">10/-</container>
<unittitle><emph render="italic">Notebook </emph>A - <unitdate>[1960] “</unitdate>Reviews
etc.” in blue ink on back cover. Contents: Six reviews, in pencil and lightly
revised in ink, concerning works by J.R. Ackerley, Kingsley Amis, Antonio
Barolini, [?] Borghese, Sidonie Colette, Leonard Cooper, Richard Everhart,
Elizabeth Enright, Roland Mathias, W.S. Merwin, Brian Moore, Dom Moraes, Charlotte
Morrow, Kathleen Nott, Sidney Owen, Andrew Sinclair, Rex Warner, and Anthony
West. Blue cover, 8 × 13″ , loose sheets, in pencil and 1 ink.</unittitle>
<physdesc>32pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">10/-</container>
<unittitle>Notebook B - <unitdate>[ca. 1960-1961] </unitdate>Contents: Six
drafts of reviews in pencil, lightly revised in ink, concerning works by Anthony
Bloomfield, John Broderick, William Cooper, Jennifer Dawson, Genevieve Dorman,
Burnett James, Hans Kroninsberger, Juan Mascaro, Ian Rodger, V. Sackville-West,
Budd Schulberg, and Helen Waite. Draft of an address, in pencil, The poet
and his public today and notes in ink titled “Two Books on Mysticism.” Blue
covers, 8 × 12 3/4″ , pencil and blue ink</unittitle>
<physdesc>33pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">10/-</container>
<unittitle>Notebook C - <unitdate>[ca. 1960-1961] </unitdate>Contents: Essay
titled D.H. Lawrence in his letters; review of poetry records by W.H. Auden,
Robert Graves, and Robert Donat; review of works by Elizabeth Bowen, Denis
Donaghue, Dennis Enright, John Holloway, T.E. Hulme, Peter Levi, David Lodge,
Jean-Georges Ritz, Charles Tomlinson, and others. Limp blue covers, 8 × 12
3/4″ , in pencil and one ink.</unittitle>
<physdesc>55pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">10/-</container>
<unittitle><emph render="italic">Notebook D - </emph>Signature on front cover.
in pencil, <unitdate>dated May 1961, </unitdate>followed by “C.P. Snow/ Richard
Wilbur/ Robert Graves.” Contents: Essays in pencil, lightly revised in ink,
concerning C.P. Snow, Richard Wilbur, and Robert Graves; five lightly revised
reviews in pencil and ink concerning works by Thomas Blackburn, William Empson,
Julian Green, Romano Guardini, and Mark Pelgrin. Limp blue covers, 8 × 12
3/4″ , loose sheets, pencil and 1 ink</unittitle>
<physdesc>59pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">10/-</container>
<unittitle>Notebook E - <unitdate>[1961] </unitdate>Contents: Essay concerning
her poem Fountain; sketch of Rome, My landscape; a poem, The tormentors; and
thirteen drafts of reviews in pencil, lightly revised in ink, concerning works
by John Fuller, Wilson Knight, Frieda Lawrence, Carson McCullers, James Merrill,
Alberto Moravia, Francoise Sagan, Freya Stark, Arnold Toynbee, Colin M. Turnbull,
and others. Limp blue covers, 8 × 12 3/4″ , in pencil and 2 inks.</unittitle>
<physdesc>55pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">10/-</container>
<unittitle><emph render="italic">Notebook F - </emph><unitdate>[ca. 1961] </unitdate>Contents:
Draft of introduction to An anthology of modern verse, <unitdate>1940-1960
(1961); </unitdate>an untitled essay concerning a number of modern poets and
an essay titled “Conclusion;” a prose translation of Albert Camus' Marriage
rites at Tipasa; a poem, Homecoming; and three reviews, concerning John Betjeman,
Michel Del Castillo, William Faulkner, Brian Glanville, Graham Greene, and
Zoe Oldenberg. Limp blue covers, 8 × 12 3/4″ , pencil and 2 inks.</unittitle>
<physdesc>55pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">10/-</container>
<unittitle>Notebook G - <unitdate>[1964] “</unitdate>Reviews etc.” in blue
ink on front cover. Contents: Two lightly revised reviews in pencil of works
by James Agee, Thomas Hinde, David Hughes, Elspeth Huxley, Bernard Malamud,
Peter Marshall, Anthony Masters, Richard G. Stern, and Dylan Thomas. Limp
blue covers, 8 × 13″ , in 1 ink and pencil.</unittitle>
<physdesc>14pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">10/-</container>
<unittitle>Notebook H - <unitdate>[1966] “</unitdate>Emily Brontë: Introduction
to `Wuthering Heights' by Elizabeth Jennings” in yellow ink on cover. Contents:
signed introduction to Wuthering Heights and a review of Piétà by R.S. Thomas.
Limp blue covers, 8 × 13″ , 1 loose sheet, in 3 inks.</unittitle>
<physdesc>18pp.</physdesc>
</did>
</c02>
</c01>
<c01>
<did>
<container type="box-folder">11/-</container>
<unittitle>Notebooks containing mss. largely of essays and reviews, <unitdate>n.d.</unitdate></unittitle>
</did>
<c02>
<did>
<container type="box-folder">11/-</container>
<unittitle>Notebook I - <unitdate>[n.d.] “</unitdate>Yvor Winters” on cover
in blue ink with signature on title page. Contents: Essay entitled A study
of the critical method of Yvor Winters, with alternate titles The limits of
power, The dangers of dogmatism, and Dogmatism without authority; essay concerning
Thomas Traherne, both in pencil with light ink revision. Limp orange covers,
8 1/4 × 11 3/4″ , pencil and 1 ink.</unittitle>
<physdesc>27pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">11/-</container>
<unittitle>Notebook J - <unitdate>[n.d.] </unitdate>Contents: Entirely devoted
to a critical survey of English poetry in the years 1957-1960, entitled The
ranks break: A group disperses, including a section on “Older Poets,” in pencil
with light revision in ink. Limp blue covers, 8 × 12 3/4″ , 1 ink and pencil.</unittitle>
<physdesc>64pp.</physdesc>
</did>
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<c02>
<did>
<container type="box-folder">11/-</container>
<unittitle>Notebook K - <unitdate>[n.d.] </unitdate>Doodles in black ink on
cover. Contents: Text of a speech and reading, “Michelangelo”; an autobiographical
reminiscence, “Oxford High School”; and reviews of works by Peter Cohen, Thomas
Hinde, Nathalie Sarraute, Bernard Wall, and Sylvia Townsend Warner. Limp blue
covers, 8 × 12 3/4″ , in 2 inks and pencil.</unittitle>
<physdesc>41pp.</physdesc>
</did>
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<c02>
<did>
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<unittitle>Notebook L - <unitdate>[n.d.] </unitdate>Contents: An essay and
an untitled draft of an address concerning her own poetry; an essay on her
Somerset Maugham award; a short autobiographical sketch; an essay on Palgraves
Golden Treasury; fragment of an essay concerning Gertrude Bell; and reviews
concerning Kay Baker, Jocelyn Brooke, Anthony Burgess, Cecil Day-Lewis, David
Holbrook, Robert Shaw, Irving Stone, and John Wain. Limp blue covers, 8 ×
12 3/4″ , pencil and 3 inks.</unittitle>
<physdesc>51pp.</physdesc>
</did>
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<c02>
<did>
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<unittitle>Notebook M - <unitdate>[n.d.] </unitdate>Contents: Essay titled
“The elusive values: A study of contemporary artistic forms” and a fragment
of an essay concerning J.D. Salinger, titled “The theme of innocence (The
dangers of infatuation)”; blurb for Robert Frost; two chapters of a fictional
work burlesquing the literary scene, “The publisher regrets...”; reviews of
works by W.H. Auden, Charles Graves, Donald Hall, Irving Stone, Vernon Watkins,
Yvor Winters, and others, mostly in pencil with light revision in ink. Blue
limp covers, 8 × 12 7/8″ , pencil and 1 ink</unittitle>
<physdesc>71pp.</physdesc>
</did>
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<c02>
<did>
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<unittitle>Notebook N - <unitdate>[n.d.] “</unitdate>Peter Levi etc. &amp;
`Life is a Dream' by Calderon” in blue ink on front cover. Contents: Essays
concerning Sister Elizabeth of the Trinity and Peter Levi; translation of
the Prologue of Calderon's Life is a Dream; a review of W.H. Auden's The Dyer's
Hand (continued from Notebook M); and a review of Catherine de Medici by Jean
Heritier. Limp blue covers, 8 × 12 7/8, pencil and 1 ink.</unittitle>
<physdesc>19pp.</physdesc>
</did>
</c02>
</c01>
<c01>
<did>
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<unittitle>Notebooks containing largely mss. from books, <unitdate>1958-ca.
1965</unitdate></unittitle>
</did>
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<did>
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<unittitle><emph render="italic">Notebook A - </emph><unitdate>[n.d.] “</unitdate>Parts
of `Let's Have Some Poetry' ” in blue ink on cover. Contents: Drafts, mostly
in pencil, of portions of Let's Have Some Poetry <unitdate>(1960), </unitdate>including
parts of Chapters 1, 8, and 10, moderately revised; seven loose sheets laid
in containing parts of Chapters 1 and 10, in ink and pencil. Limp blue covers
8 × 12 3/4, loose sheets, 1 ink and pencil.</unittitle>
<physdesc>63pp.</physdesc>
</did>
</c02>
<c02>
<did>
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<unittitle><emph render="italic">Notebook B - </emph><unitdate>[n.d.] “</unitdate>Parts
of `Let's Have Some Poetry' ” in pencil on front cover. Contents: Drafts,
in pencil, of portions of Let's Have Some Poetry <unitdate>(1960), </unitdate>including
parts of Chapters 4 (listed as VI on draft) and 5; reviews of Francis Thompson
by John Ried and the Atlantic Book of British and American Poetry, edited
by Edith Sitwell. Limp blue covers, 8 × 12 3/4″ , in pencil.</unittitle>
<physdesc>61pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">12/-</container>
<unittitle><emph render="italic">Notebook C - “</emph>Rome - 30 April 1958”
on cover in black ink. Contents: Outline and notes on Every Changing Shape <unitdate>(1961), </unitdate>including
portions of Chapters 1 and 10, in ink and pencil, moderately revised; Chapters
1-4 of The Ambitious Ones, an unpublished fictional piece concerning the experiences
of a poet; an introduction to her poems for the B.B.C. European Service; an
essay entitled “Roman Notebook: The Last of the Patrons” concerning Princess
Caetani, editor of Botteghé Oscure; and reviews discussing works by St. Augustine,
C.S. Lewis, Rilke, R.S. Thomas and others. Limp blue covers, 8 1/4 × 12 1/4″
, loose sheet, 3 inks and pencil.</unittitle>
<physdesc>ca. 83pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">12/-</container>
<unittitle>Notebook D - <unitdate>[n.d.] “</unitdate>Poems, Reviews and extracts
from my published (Deutsch) critical book, Every Changing Shape” written in
blue ink by author on loose sheet slipped into notebook between cover and
first page. Contents: Moderately revised pencil drafts of the Introduction
and Chapters 13, 14 and 16 of Every Changing Shape; a continuation of The
Ambitious Ones from Notebook C; an autobiographical reminiscence entitled
Everybody writes (Being a publisher's reader); an untitled poem; and reviews
of works by Antonia Forest, Alan Heuser, Yrjor Hirn, and Charles Williams.
Limp blue covers, 8 × 13″ , loose sheets, 2 inks and pencil.</unittitle>
<physdesc>71pp.</physdesc>
</did>
</c02>
<c02>
<did>
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<unittitle><emph render="italic">Notebook E - </emph><unitdate>[ca. 1965]
“</unitdate>Christian Poetry Vol. I by Elizabeth Jennings” in black ink on
cover, followed by “1 × 2 copies” in green and blue ink. Contents: Chapters
1-4 and part of Chapter 5 of Christian Poetry (published under the title,
Christianity and Poetry, <unitdate>1965) </unitdate>in pencil with moderate
revision in 2 inks and pencil. Limp blue covers, 8 × 13″ , 3 inks and pencil.</unittitle>
<physdesc>69pp.</physdesc>
</did>
</c02>
<c02>
<did>
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<unittitle>Notebook F - <unitdate>[ca. 1965] “</unitdate>Christian Poetry
Vol. II by Elizabeth Jennings” in black ink on cover. Contents: Last portion
of Chapter 5, Chapter 6, and part of Chapter 7, in pencil with moderate revision
in pencil and two inks. Limp blue covers, 8 × 12 3/4″ , 2 inks and pencil.</unittitle>
<physdesc>35pp.</physdesc>
</did>
</c02>
<c02>
<did>
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<unittitle>Notebook G - <unitdate>[ca. 1965] “</unitdate>Christian Poetry
Vol. III by Elizabeth Jennings” in black ink on cover. Contents: Last portion
of Chapter 7, Chapter 8, and part of Chapter 9, in pencil with moderate revision
in three inks. Limp blue covers, 8 × 12 3/4″ , 3 inks and pencil.</unittitle>
<physdesc>33pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">12/-</container>
<unittitle>Notebook H - <unitdate>[ca. 1965] “</unitdate>Christian Poetry
Vol. IV by Elizabeth Jennings” in blue and black ink on cover. Contents: Last
portion of Chapter 9 and Chapter 10 (Conclusion) in pencil with moderate revision
in pencil and three inks. Limp blue covers, 8 × 13″ , in 3 inks and pencil.</unittitle>
<physdesc>15pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">12/-</container>
<unittitle>Notebook I - <unitdate>[n.d.] “</unitdate>Autobiography Vol. I
The Inward War” in pencil on cover. Contents: Six chapters of her autobiography
in pencil and ink, revised in pencil and ink; essays entitled Modern English
Poetry and Emily Dickinson and the Poetry of the Inner Life. Limp blue covers,
8 × 12 3/4″ , pencil and 1 ink</unittitle>
<physdesc>50pp.</physdesc>
</did>
</c02>
<c02>
<did>
<container type="box-folder">12/-</container>
<unittitle>Notebook J - <unitdate>[n.d.] “</unitdate>The Inward War II” in
black ink on cover. Contents: Five unnumbered chapters from her autobiography
in pencil with moderate revision in pencil and 2 inks; a heavily revised essay
on Robert Browning and an essay entitled Children's books; a short autobiographical
anecdote entitled Out of character; reviews discussing works by Robert Conquest,
Cecil Day-Lewis, T.S. Eliot, Roy Fuller, Pamela Hansford Johnson, Carolyn
Kizer, Robert Lowell, Mary McCarthy, Edith Sitwell, J.M. Synge, Thomas Traherne,
W.B. Yeats, and others. Limp blue covers, 8 × 13″ , pencil and 2 inks.</unittitle>
<physdesc>79pp.</physdesc>
</did>
</c02>
</c01>
<c01>
<did>
<container type="box-folder">Oversize</container>
<unittitle>Miscellany - <unitdate>[n.d.]. </unitdate>Photograph. A studio
portrait of Elizabeth Jennings.</unittitle>
</did>
</c01>
</dsc>
</archdesc>
</ead>
<?Pub *0000033335 0?>

