Science Fiction
I devoured much
written-word sf
in my youth (Heinlein
was a formative influence, for example). These days I don't have time
to read it very often, but
Rosemary still does quite regularly.
I've also been a Trekker since birth, or at least as long as I can
remember, having been born a couple of weeks after the original series
premiered.
Rosemary and I host a regular get-together for our friends on Saturday
night at which I show tapes of the good
sf TV shows of the past week
(not to mention eat, drink, and generally be boisterous). Actually, to
be fair, a lot of the shows we screen are fantasy, not SF (depending on
how strict your definition of SF is, they may all be fantasy!).
Current ongoing shows we have screened in the not too distant past are:
- Buffy the Vampire Slayer (ending
soon, waah!) and its companion show, Angel,
- Smallville, a reexamination of the Superman legend which has much the same
"alien weirdness in the heartland" vibe as Roswell used to,
- Futurama, like The
Simpsons but for sci-fi geeks, doomed by a worthless timeslot and
constant preemptions that give it the regularity of a spastic colon,
- Tremors : The Series,
which is trying (with some success) to duplicate the movies' ethos of
goofy, tongue-in-cheek fun with a bit more intelligence than one would
expect,
- Stargate SG-1, soon to
go into its seventh season with the return of Daniel Jackson (yay!),
- Enterprise,
which has tried to avoid some of Voyager's flaws but is repeating
more of them,
- UPN's latest incarnation of
The Twilight Zone,
which sincerely tries (and sometimes succeeds) at recapturing the old Rod
Serling sensawunda,
- Farscape, the
cliche-busting balls-out outer-space adventure with the wild visual
imagination (from the Henson folks), also recently canceled (waah!
again),
- Miracles,
a take on the X-Files format with a turn toward the
supernatural/mystic rather than SFnal, also recently canceled
just as an arc was starting to develop
(waah! yet again),
- Firefly,
Joss Whedon's take on a spaceship-based SF show (a cross between
standard SF and a western), tragically nipped in the bud just as the arc
was starting to develop (are you sensing a theme, here?),
-
Babylon 5 (the
best!)--technically, not a current show anymore, but it's being
seen in a widescreen on the
Sci-Fi Channel, plus it's in the
process of coming out on DVD, and finally
- Gene Roddenberry's
Andromeda, which had potential to do some epic stuff on a galactic
scale, but since the departure of driving force Robert Hewitt Wolfe has
taken a real nosedive. It's not Earth: Final Conflict bad, but
it's not good.